Temporary Worlds
Maya’s projects move between music, performance, ritual and interdisciplinary creation. Whether rooted in original music, artistic research or collaborations across disciplines, they invite audiences into immersive worlds shaped by symbolism, transformation and imagination.
Medusa
Medusa is a reimagining of the classical Greek myth, brought to life by Spanish-Flemish composer Saskia Venegas and cellist/vocalist Maya Fridman.
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Ordo Ritualis
"In my life, there are rituals I read about in books, learned from someone, and created on my own. But there are also rituals in sound, sonic worlds that tell a story—about our time, about loss, about encounters with the unknown. This album, Ordo Ritualis, is a small collection of these rituals, created by incredible composers: Missy Mazzoli, Bryce Dessner, Martijn Padding, Fjóla Evans, Kaveh Vares, and Heather Pinkham."
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XIV
XIV is an immersive music ritual based on the labyrinth-like narrative by Maya Fridman and developed in collaboration with LudoWic.
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The Architecture of Trees
The Architecture of Trees is an immersive music performance by cellist and maker Maya Fridman, performed alongside vocal quartet Storm in a Jar.
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Maya Fridman Plays Catherine Lamb
Maya takes on the challenge of composer Catherine Lamb's fascinating music with sound artist Wouter Snoei.
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Thunder Perfect Mind
For “Thunder Perfect Mind,” Maya Fridman joins forces with top players from different quarters.
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Time Behold Now
Maya’s first self-directed interdisciplinary performance, made in close collaboration with Alexander Knaifel
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